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A light-hearted coming-of-age story of a lovable 60-year-old-man.
Run-D.M.C.'s Rev Run brings us along for a hip-hop reimagining of The Nutcracker ballet set in New York City. It's the night of the annual New Year's Eve block party and Maria-Clara's (Caché Melvin) mom and pop (Allison Holker Boss and Stephen "tWitch' Boss) aren't getting along... and it's bringing her down. Maria-Clara embarks on a holiday adventure to bring her parents back ...
心碎的科学家搬回家乡，希望有个全新开始，但她爱算计的老哥却雇来一个陌生帅哥，打算说服她卖掉他们的土地。
凯莉·库柯、皮特·戴维森正在商谈主演浪漫喜剧新片[邂逅浪漫](Meet Cute，暂译)。亚历克斯·莱曼([蓝色杰伊])执导，Noga Pnueli操刀剧本。该片将是对浪漫喜剧极具创造性的解构，围绕“如果你能穿越到你所爱的人的过去，治愈他们的创伤，解决他们的问题，并把他们变成完美的伴侣，你会怎么做？”这个问题展开。
As the daughter of an underground hip-hop legend who died right before he hit big, Bri's got massive shoes to fill. But it's hard as she is labeled a hoodlum at school, and faces financial crisis after her mom loses her job. So Bri pours her anger and frustration into her first song, which goes viral, for all the wrong reasons. Bri soon finds herself at the center of a controversy, portrayed by the media, but with an eviction notice staring down her family, Bri doesn't just want to make it, she has to. Even if it means becoming the very thing the public has made her out to be.
故事讲述在1980年代末，一群20岁怀抱表演欲的学生，为了追求梦想不计一切代价地想进入知名导演巴提斯谢侯任教的剧场学校。然而就在他们展开了热情又狂乱的校园生活后，爱情、友情考验接踵而来，不但急遽改变了这群年轻人的生活，也使得他们面临人生中从未想过的残酷悲剧。
Masked figures with machine guns march into the secondary school in Karatas, take the pupils hostage, and execute one of them. They make no demands. Silent terror is their modus operandi. Seeing as the army will take two days to arrive due to a snowstorm, maths teacher Tazshi decides to assemble his own assault team: his ex-wife, the gym teacher, the cowardly school principal, an alcoholic night watchman, the village idiot, and an incompetent chief of police.
What follows is no traditional action film, but a thriller with snatches of comedy, in which the enemy isn’t hidden behind masks, but is in the minds of the liberators. Before they act, they have to overcome their personal demons. Comparisons to the school hostage-takings in Beslan and Kazan are obvious, yet Karatas – the mythical village where much of director Adilkhan Yerzhanov’s work is set – could be anywhere. It is universally acknowledged that crises bring out people's true natures.
