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Thiên Th?n H? M?nh b?t ??u khi Mai Ly, m?t ng?i sao c?a gi?i gi?i trí b?ng r?i t? t?ng th??ng m?t toà nhà xu?ng ??t và ch?t. Bí ?n h?n khi ng??i ta ??n r?ng cái ch?t c?a Mai Ly có liên quan ??n m?t lo?i ma thu?t, bùa ng?i h?c ám ?n trong hình thù nh?ng con búp bê r?t ma quái.
A couple buy a beautiful home in an upper-class neighbourhood where a murder-suicide occurred. However, when strange events begin to happen, they soon suspect their new neighbour may have played a part in the killings.
【跳过】 大倉幹夫（赤楚卫二 饰演）家有一扇神秘的门，他从小就被大人告诫说决不能进入门里。一天，他捡到了一把钥匙，好奇心驱使下用钥匙打开了那扇门，却发觉跳过了一段人生，来到了不久后的将来... 【优等生】 宮本明日香（森七菜 饰演）是一个差生，每次考试都得0分。有一天，她无意中经过一座奇怪的神社，向神社许愿考试取得好成绩后，神奇的事情发生了，不管她如何填写答案，答案都会变成实际发生的真事... 【复活的密码】 中岡賢一（桐谷健太 饰演）心底一直藏着一个秘密，是有关小学同学良介因为一场意外去世的原因。某天，他无意中找到一台老旧游戏机，就和儿子一起玩了起来。没想到打开后，本来应该已经死去的良介又突然出现在他面前... 【金蛋】 主妇亚美（山口纱弥加 饰演）无意中得到了一颗金蛋，不久后她中了彩票大奖，于是相信是金蛋给她带来了好运气。但好景不长，亚美渐渐发觉...
阿曼达·塞弗里德商谈主演Netflix超自然题材惊悚片《所见所闻》(Things Heard & Seen)，莎里·斯宾厄·伯曼&罗伯特·帕西尼(《保姆日记》《万圣年代》)自编自导。
改编自Elizabeth Brundage所著书籍《All Things Cease to Appear》，风格类似《鬼入侵》，故事围绕着一对年轻夫妇展开，他们搬到纽约北部一个小镇附近的农场居住，而这个新家被前主人的谋杀罪所诅咒，随着闹鬼的秘密被揭露，他们的婚姻也暴露出黑暗面。
Luna is a young embalmer with a strange passion for everything concerning death. One day, during a trip in the woods, she finds two bodies. The first one is a dead woman, the other one is a man who is still barely breathing.
一个私企老板立志要建立一个非同寻常的公园：恐龙将是这个公园的主角。他把众多科学家收归旗下，利用琥珀里面困住的远古蚊子体内的血液，提取出恐龙的基因信息，利用这些信息培育繁殖恐龙。结果如愿以偿，他在岛上建立成了一个恐龙公园，坚信可以从中赚取大钱。然而，科学家们则忧心忡忡。不幸的事情果然发生了。虽然公园有电脑系统管理，但却因为被员工破坏而造成了无法挽救的失控：所有的恐龙逃出了控制区，人们纷纷逃窜却逃不过恐龙的魔爪。恐龙自相残杀，人们亦死难无数，恐龙后续袭击一个工业园区时，一群衣衫褴褛的雇佣兵被召集进来。在他们摧毁该园区并逃往世界之前，将它们围住。并且设定了精密的计划来消灭这些变异的恐龙。最后幸存者寥寥，只得四人逃出生天。
In order to cheer up recently divorced Chloe, her friend, Sam gives her a giant teddy bear, Bearry. As Chloe confides her wishes to Bearry, people close to her go missing or die. Is Chloe a murderer, is it her stalker? or is it Bearry?
Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter.
Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...
